Nocturnal, sculptural photography may be the antithesis of the more common western landscape, but the monochromatic time exposed cityscapes are, to the photographer, just as captivating. In the context of busy lives they tend to blend in. During the day boys playing in the downtown grove or a bird perched near a stream seem so commonplace that they are easily overlooked. Busy schedules and task-oriented minds easily overlook the heavy presence of each piece.
After the sun has set and the business doors close each sculpture takes on a new unique quality. Some are lit, creating a feeling of grandeur in isolation, demanding attention amidst the now barren landscape. Others seem out of place. Removed from the context of daily activity there is an awkwardness to its very presence. Those that are unlit slip away in darkness hidden by the impression of diminished worth.
Capturing each piece while the world is sound asleep creates a personal dialog between the sculpture and the photographer. There is now a one-on-one relationship and more thought can be devoted to setting up and capturing the shot. The irony of course is re-capturing a moment in time that has already been captured by the sculpture itself. Regardless there is a serene and calming nature in obtaining the image and, in the photographers opinion, a deeper appreciation for the sculpture itself. The final product is something less commonplace than traditional landscape photography that is equally pleasing to observe.