A few of his most famous pieces are titled "puppy" which was produced in 1992, "Michael Jackson and Bubbles" and "Pink Panther", both produced in 1988.
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Undeniably, Puppy is cute. It’s also a good example of how monumental scale can add a sense of magic to a mundane idea. On the other hand, Puppy can emblemize gimmick and the vapidity of the artistic vanguard of the last twenty years. On the other, other hand, who criticizes a giant flower dog?
All in all I think Koons is as American as apple pie. He's taken on art, not necessarily for arts sake, but for a piece of the pie. He's built his empire off of the trash of American culture and figured out that he can make a crap load of cash doing it.
Not only has he become monumentally successful at his niche artworks, but he's been equally successful at ruffling people’s feathers, especially those "traditional" artsy-fartsy types. I personally don't care for his work... I still see it as the trash of our culture, but that doesn't discredit his (and many others) claiming that it's brilliant artwork.
To each his own I guess.
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